The Formula To Writing A Manifesto

I came across this and it shows you the tricks writers use when writing that powerful manifesto.After much crafting and late nights they finally stand in front of a suite of clients as they all turn and stare. He or she pushes play, the film begins with the exact formula as the poster below, same pace, same bullet points with a big final one word headline which is a bit random, it gets them all the time. High-fives as we see grown men with tears rolling down their faces as they hug one another. You take the glory but in your heart you know it’s just not really that creative it's a trick. So why do we all do it? Because it bloody works when it comes to winning pitches. Sad really that it will come down to the 'best' choice of accompanying music and footage.Most clients fall for this trap, but the good ones, pause after seeing this and say; 'Very good internal mood film now show me how that idea comes to life for our audience that they will react in a positive way?' 'How is that going to solve our business problem?' Wise words, maybe we should put that in all our future manifestos? Now that would be creative.

I don’t need two hands to hold a Gold Cannes

Came across this belter this morning and I had to share. Yes yes I know you could write this script for any beer brand and my response would be; yes you could but bollocks! Why? Because they did it first and to be frank this has everything in my book; a simple idea, art directed and the cast are spot on, and the cherry on the top is the writing of the lyrics, pure class as is the production, it’s off the chart. I watched the full version, transfixed and laughed at each scenario, really lovely work and when I finished viewing I thought to myself;that should do well at Cannes this year. ‘I’m drinking this for you’ with their classic line; 'I don't need two hands to....' Apparently didn’t win anything, please correct me if I’m wrong but I just read it on the forums. If that is the case then something is seriously wrong there, this is a piece of old (maybe that is the problem) school approach but goes one step further in treating the viewer with intelligence that entices you in, rather than a quick blunt gag. One thing that I do know; if I was the creative behind this work; I wouldn’t need two hands to hold a Gold Cannes, to know this is a cracking piece of creative communication. View this gem here